After two years, I finally mounted and exhibited this piece. I call it a tapestry because I appropriate the visual format of the Constantine Tapestry, however I have been told not to call it tapestry as it is printed, not woven. So it is my un-tapestry. This was particularly difficult to print – the first phase I laid down the background color then printed 10 screens, some multiple times.
Aside from this challenging technique, I am interested in exploring the concept of the Exotic. In my definition of exotic, I look at stigmatization and acceptance as bi-polar opposites. I have found that in textile design and decorative objects, often what is accepted into the decorative motif is not always accepted in high society. This piece is not only influenced by its namesake – from the film Lost Horizon, but also by a textile from the collection of Stenton Museum a textile using Chinese peasants, set in bucolic scenes, as motifs. I made an off the cuff comment that the curator had not thought of. That is: “Isn’t it strange that the social elite will decorate their home with people they would never have at their dinner table?”